tag:blogger.com,1999:blog-4992188361901924074.post6572227051516592080..comments2023-11-12T15:22:03.945-07:00Comments on Liz Wiltzen-A Painter's Journal: 100 plein air paintings in 100 days - #50/#51liz wiltzenhttp://www.blogger.com/profile/11968282661175393214noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-4992188361901924074.post-2372063052285957752010-06-23T18:26:57.111-06:002010-06-23T18:26:57.111-06:00Great blog, beautiful paintings... So glad to dis...Great blog, beautiful paintings... So glad to discover your work, will be back for more.Diane Hoeptnerhttps://www.blogger.com/profile/14124052826927571423noreply@blogger.comtag:blogger.com,1999:blog-4992188361901924074.post-1959265539192532942010-06-22T19:58:40.303-06:002010-06-22T19:58:40.303-06:00# 50 turned out to be one tough painting. Well don...# 50 turned out to be one tough painting. Well done for being half way through this challenge!Ann Rogershttps://www.blogger.com/profile/08648000587565505764noreply@blogger.comtag:blogger.com,1999:blog-4992188361901924074.post-44792981768955393722010-06-22T19:02:36.783-06:002010-06-22T19:02:36.783-06:00What gems these two are, and what a tale of the tu...What gems these two are, and what a tale of the tumbling paint box!I appreciate your list of three approaches, especially in contrast to Robert Genn's similar list from last week (in his newsletter). Yours makes more sense to me, and it is the third approach I want to master (the second being what I do most often, with a little of the first thrown in - mainly to leave things out).Bobbi Heathhttps://www.blogger.com/profile/09235452539131042733noreply@blogger.com